Ólafía Elísabet Einarsdóttir
Inspired by Cristóbal Balenciaga’s mastery of pattern-making and his sculptural approach to design, this piece seeks to honor the contours of the female body while embracing simplicity in form. Drawing on the concept of Japonism, first introduced by French art critic Philippe Burty in 1872, the design draws inspiration from the silhouette of the traditional kimono, re-interpreting the traditional form through a contemporary lens.
The student approached the project by experimenting with materiality to create voluminous shapes and striking contrasts. The aim was to have as few seams as possible to create a final look defined by its volume and simplicity. Monochromatic yet textured fabrics were chosen to keep the focus on the silhouette, whilst adding layers of detail. Added texture is created through detailed stitching and the creation of unconventional proportions. In this design, tradition informs innovation, and simplicity becomes a powerful design language.
